United Multiple Pictures are similar to multiple exposures; in contrast, they are created by the artist on the computer. In the artistic collage, various perspectives of the vaulted ceiling of a church are mounted on top of each other and combined with graffiti inscriptions. The pictorial mood is, analogous to the title of the picture, sinister. All images of the series are designed in black and white.
‘The Ninth Plague: Eclipse’ from series of paintings ‘Exodus’ / 2022 / Digital painting / Exposure on baryt paper / Limited edition: 3 + 1 AP / 4,095 pixels (H) ∙ 7,360 pixels (W) / 13.6″ (H) ∙ 24.4″ (W) / Numbered and signed by hand.

The present work is protected by copyright in all its parts.
© 2022 by Heinz Hermann Maria Hoppe.
All rights reserved.


Exodus (United Multiple Views) : : : Digital Painting



The image of Mary with the praying representation of Mary is disturbed by cracks and graffiti spraying.
‘The Fifth Plague: Cattle Plague’ from series of paintings ‘Exodus’ / 2022 / Digital painting / Exposure on baryt paper / Limited edition: 3 + 1 AP / 4,095 pixels (H) ∙ 7,360 pixels (W) / 13.6″ (H) ∙ 24.4″ (W) / Numbered and signed by hand.

Jesus on the cross is overlaid with multiple sprinklings.
‘The Second Plague: Frogs’ from series of paintings ‘Exodus’ / 2022 / Digital painting / Exposure on baryt paper / Limited edition: 3 + 1 AP / 4,095 pixels (H) ∙ 7,360 pixels (W) / 13.6″ (H) ∙ 24.4″ (W) / Numbered and signed by hand.

The Mother of God, facing heaven, and candlesticks on either side are framed and overlaid by massive graffiti spraying.
‘The First Plague: Turning All Waters Into Blood’ from series of paintings ‘Exodus’ / 2022 / Digital painting / Exposure on baryt paper / Limited edition: 3 + 1 AP / 4,095 pixels (H) ∙ 7,360 pixels (W) / 13.6″ (H) ∙ 24.4″ (W) / Numbered and signed by hand.

Portraits of a group of figures, centrally stands a woman with headscarf. The picture background is characterized by many cracks and chipped paint.
‘The Sixth Plague: Smallpox’ from series of paintings ‘Exodus’ / 2022 / Digital painting / Exposure on baryt paper / Limited edition: 3 + 1 AP / 4,095 pixels (H) ∙ 7,360 pixels (W) / 13.6″ (H) ∙ 24.4″ (W) / Numbered and signed by hand.

Another portrait of Mary with several swords stuck in the chest. The picture plane is superimposed with another plane showing a wrought iron grille.
‘The Third Plague: Mosquitoes’ from series of paintings ‘Exodus’ / 2022 / Digital painting / Exposure on baryt paper / Limited edition: 3 + 1 AP / 4,095 pixels (H) ∙ 7,360 pixels (W) / 13.6″ (H) ∙ 24.4″ (W) / Numbered and signed by hand.

Jesus on the cross with tree structures and many, image-disturbing strokes and refractions of the surface.
‘The Seventh Plague: Hail’ from series of paintings ‘Exodus’ / 2022 / Digital painting / Exposure on baryt paper / Limited edition: 3 + 1 AP / 4,095 pixels (H) ∙ 7,360 pixels (W) / 13.6″ (H) ∙ 24.4″ (W) / Numbered and signed by hand.

Somber depiction of an angel whose interior and whose wings undersides are pierced by rods.
‘The Eighth Plague: Locusts’ from series of paintings ‘Exodus’ / 2022 / Digital painting / Exposure on baryt paper / Limited edition: 3 + 1 AP / 4,095 pixels (H) ∙ 7,360 pixels (W) / 13.6″ (H) ∙ 24.4″ (W) / Numbered and signed by hand.

Exodus of Faith : : :
Digital Painting


From the Bible, Book Hebrews, Chapter 5*:

1 For every high priest chosen from among men is appointed to act on behalf of men in relation to God, to offer gifts and sacrifices for sins. 2 He can deal gently with the ignorant and wayward, since he himself is beset with weakness. 3 Because of this he is obligated to offer sacrifice for his own sins just as he does for those of the people. 4 And no one takes this honor for himself, but only when called by God, just as Aaron was.”

[…]

11 About this we have much to say, and it is hard to explain, since you have become dull of hearing. 12 For though by this time you ought to be teachers, you need someone to teach you again the basic principles of the oracles of God. You need milk, not solid food, 13 for everyone who lives on milk is unskilled in the word of righteousness, since he is a child. 14 But solid food is for the mature, for those who have their powers of discernment trained by constant practice to distinguish good from evil.”


Chapter 4:

[…]

12 For the word of God is living and active, sharper than any two-edged sword, piercing to the division of soul and of spirit, of joints and of marrow, and discerning the thoughts and intentions of the heart. 13 And no creature is hidden from his sight, but all are naked and exposed to the eyes of him to whom we must give account.”

[…]


* Source: Chapter 5, verses 1–4/11–14 and Chapter 4, verses 12/13: The Bible, English Standard Version, Book Hebrews.


To the top